On June 22nd, 2020, we lost acclaimed director, writer, and producer Joel Schumacher. Thus, for this pairing, we're going to pay a tribute by focusing on two films from Schumacher, starting with Episode 212 and his 3rd cinematic offering, 1985's "St. Elmo's Fire." The story follows seven college friends, Kirby Keger (Emilio Esteves), Billy Hicks (Rob Lowe), Keven Dolenz (Andrew McCarthy), Jules (Demi Moore), Alec Newbary (Judd Nelson), Leslie Hunter (Ally Sheedy), and Wendy Beamish (Mare Winningham) just after they've graduated from college. The story revolves around the gradual dissolution of the ties that bound them together at college as they begin to navigate the adult "real world" and realize that things are not going to stay the same as when they were still in schoo. This was the film to feature the largest number of the "Brat Pack" of the 80s, missing only Anthony Michael Hall and Molly Ringwald, and also started the career of Andie MacDowell, who play's Kirby's object of obsession. A film to watch with your mid-20s in mind, or if you're IN or near your mid-20s!

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Episode 211 is the second in our pairing of films which can be linked three different ways! It's a Christmas film that was moved up six months so that its production company could compete against Ghostbusters. Released on the same day, it's director Joe Dante's 1984 horror comedy "Gremlins!" Written by Chris Columbus and starring Hoyt Axton, Zach Galligan, Phoebe Cates, Polly Holliday, Dick Miller, Francis Lee McCain, Corey Feldman, and Judge Reinhold, with a cameo by animator Chuck Jones, and the voice of comedian Howie Mandel, this is the story of a cute little creature, a Mogwai named Gizmo, who joins the Peltzer family one Christmas. Billy (Galligan) is the recipient of the gift, and he is told the three rules for keeping the Mogwai: No bright light, don't get him wet or give him any water, and never, ever, under any circumstances, feed him after midnight. And, as you might guess, each of these rules gets broken, unleashing calamity upon the sleepy little town of Kingston Falls. The film that helped create the PG-13 rating! Plus, the trio reveal how they intend to honor the passing of the great director Joel Schumacher with their next pairing!

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For this pairing, we could label this several ways: Horror comedies, films released on June 8th, 1984, or movies starting with "G." Whatever way you like, for episode 210, our first film is the blockbuster that endures, the paranormal comedy with a heart, the love letter to New York City that is "Ghostbusters!" Directed by Ivan Reitman, this film boasts a script by Dan Aykroyd and Harold Ramis that was used mostly to give the stars a starting point to improvise from. Starring Aykroyd and Ramis, along with Bill Murray, Ernie Hudson, Sigourney Weaver, Rick Moranis, Annie Potts, and William Atherton, this is one of the best U.S. film to come out of the 1980s. Apart from its superb cast (who improvised most of the film's dialogue and turned in superb performances) the film features a great score by the renowned composer Elmer Bernstein, an Academy Award-nominated song by Ray Parker Jr., and special effects that are still impressive even in 2020! Plus, it's one of the most quotable (and quoted) films in cinema history!

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Episode 209 is the second in our pairing of films that detail the African-American experience in the United States, as well as the second appearance of our Guest Geek, Annette, as we take a look at one of the pivotal events of the 1950s, the Montgomery, Alabama bus boycott in 1990's "The Long Walk Home." Directed by Richard Pearce, the story follows Miriam (Sissy Spacek) and Odessa (Whoopi Goldberg). Miriam is the mother in a middle-class white family, while Odessa is the mother in a working-class African-American household, and Miriam's housekeeper. Shortly after the start of the film, we hear about Rosa Parks historic refusal to give up her seat on a public bus to a white person. This results in the African-American residents of Montgomery staging a complete boycott of the bus system. This does, however, cause many problems as a significant portion of those boycotting live far enough away from their workplaces as to make walking not really feasible. They do it anyway, however, and Miriam starts turning her back on the systemic racism that infects the other white adults she normally associates with. An incredibly moving film that doesn't sugarcoat anything, making it a must-see for people of any race! Plus, the trio reveal which films, released on the same day in 1984, they'll be reviewing next!

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