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Learn More about Two Geeks and a G.I.T.!
Two Geeks and a G.I.T.
Two Geeks and a G.I.T.
What's this podcast about?
Two Geeks and a G.I.T. was born at the Motor City Comic-Con in Dearborn, Michigan!
Buddy Allman
Buddy Allman
Introducing Buddy!
Buddy Allman is best described as a "Film Curmudgeon."
Chad Roberts
Chad Roberts
Introducing Chad!
Chad is the G.I.T. (Geek-In-Training) part of the podcast.
Jeff Smith
Jeff Smith
Introducing Jeff!
Jeff Smith is a long-time film fan, professor, and reviewer.

Episode 175: Dawn of the Dead (1978)

maverickEpisode 175: Romero waited 10 years to release a sequel to "Night of the Living Dead," but when he did, he had the support of fans across the world as well as other filmmakers! Italian horror-master Dario Argento offered up his house so Romero could write undisturbed, acted as script supervisor, and even wrote and performed the score (with his band "The Goblins"), all in exchange for the editing rights to the European release. This film solidified Romero's rules for zombie films, rules he would follow in every other "Dead" film he'd ever make. This one, in color, was going to be assigned an "X" rating by the MPAA due to violence alone, so Romero released it unrated. Were it any other filmmaker, and any other film, this would have spelled disaster, but everyone wanted to see this film, so distributors actually sent it to theatres unrated. The end result is the 2nd seminal zombie film, this time taking place in an early fully-enclosed shopping environment we would come to know as a "mall." Plus, the trio reveal which first-time (for them) genre they'll be tackling for the next pairing!



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Episode 174: Night of the Living Dead (1968)

maverickEpisode 174: It's the first of our Halloween episodes, this time focusing on the father of the modern Zombie genre, George Romero! Written and directed by Romero (co-written by John Russo), the film was shot on a shoe-string budget, with a lot of barter being done for set elements, props, and make-up, in exchange for the business owners getting to be zombies in the film! But what came out of it is a frightening film that set the tone for decades of zombie cinema to come! Starring a cast of unknowns, this is truly the independent film that becomes known all over the world, but perhaps not exactly for the reason you might think. The trio talk about how a mistake just before release was bad news for Romero, but it turns out to be wonderful news for this film and the burgeoning zombie genre! High marks from every member of the trio too!



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Episode 173: The Watcher in the Woods (1980)

maverickEpisode 173: The second film in our "Forgotten Disney" pairings moves ahead one year to 1980 and another genre not attempted before by Disney studios, a suspense-thriller! Helmed by veteran Disney director John Hough, and starring the incredible Bette Davis, this is a ghost story, pure and simple, until it's not. The film co-stars Lynn-Holly Johnson (of "Ice Castles" fame), Kyle Richards (sister of Kim Richards who starred in the Witch Mountain films), Carroll Baker, David McCallum (yes, Illya Kuryakin from the "The Man from U.N.C.L.E. television series), and Benedict Taylor. This is a story that, admittedly, does take a little while to get rolling, but once it does it's definitely worth the wait! Plus, the trio reveal what treat they're serving for this year's Halloween episodes!



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Episode 172: The Black Hole (1979)

maverickEpisode 172: We travel back to 1979 for the first of our "Forgotten Disney" films, for director Gary Nelson's sci-fantasy epic "The Black Hole!" This was the first non-G-rated film ever released by Disney studios, and it was a stunning first step away from pure children's fare! Starring Maximilian Schell, Anthony Perkins, Robert Forster, Joseph Bottoms, Yvette Mimieux, Ernest Borgnine, and the uncredited voices of Roddy McDowall and Slim Pickens, this film explores the phenomenon of a black hole and the depths one man may sink to in order to explore its reaches! Pair this story and cast with a stunning score from James Bond composer John Barry, along with truly (for the time) ground-breaking special effects, an ending that's full of nuance and sub-text, and you have a space opera for the ages (although not everyone agrees).



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