Part two of the pairing of silent film-era horror cinema focuses on 1925's "Phantom of the Opera" starring none other than Lon Chaney as "The Phantom!" Based on the Gaston Leroux novel, and directed by a quartet (although three are uncredited), this film also stars Mary Philbin as "Christine Daae," Norman Kerry as "The Vicomte Raoul de Chagny," Arthur Edmund Carewe as "Ledoux," Mary Fabian as "Corlotta," and Virginia Pearson as "Carlotta's Mother," this film is a testament to the power of lighting and make-up! To this day, experts still don't know for certain how Chaney managed the skeletal look for his Phantom, although many have guesses. Again, if you can find the 2011 "Film Preservation Associates, Inc." version, you'll get to see the marvelous tinting and probably one of the best restored versions of the film available! Plus, the trio turn to another director for their next pairing, but you have to listen to find out which one!

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It's off to the silent era waaaaaaaaay back near the beginning of cinema itself for this pairing of 1920s horror films! Jeff, Buddy, and Chad review the vampire movie that started it all, 1922's "Nosferatu." Directed by the great F. W. Murnau, based on Bram Stoker's novel "Dracula" (which got them into a lot of hot water), and starring the great German character actor Max Schreck as "Count Orlok," (Count Dracula) this movie brought horror and German Expressionism together to create magic and history! Co-starring Gustav von Wangenheim as "Hutter" (Jonathan Harker), Greta Schroeder as "Ellen" (Mina), and Alexander Granach as "Knock" (Renfield), the film still holds thrills and chills even today! View the "Transit Film/Friedrich Wilhelm Murnau Stiftung" version if at all possible, to see the tinting and hear the original score!

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In their second look at dramatic roles for Robin Williams, it's 1997's "Good Will Hunting." Directed by Gus Van Sant, written by Matt Damon and Ben Affleck, and starring Damon, Affleck, Stellan Skarsgard, Casey Affleck, Scott William Winters, and Robin Williams in the role that would finally net him an Academy Award, this is the story of Southie, Will (Damon), an unknown genius and mathematical prodigy, who is discovered by Dr. Gerald Lambeau (Skarsgard). After a run-in with the law that Will cannot talk his way out of, he is remanded into the "custody" of Lambeau on the condition that he work with the professor every week, and that he get therapy. After convincing several other therapists that they cannot help him, Lambeau turns to his old friend Sean (Williams), who decides that Will is a challenge worth accepting. Damon and Affleck would also win the Academy Award for Best Original Screenplay for the film as well! And finally, let the terrible trio of film tell you about the two "ultimate classic" horror films they're reviewing for episodes 92 and 93!

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The year is 1959 and, at Welton Academy, a preparatory school for boys, another year is beginning. This year, however, is going to be different than any other, because Professor John Keating has come to Welton to teach English Literature. His passionate, unusual style of teaching poetry seizes the imagination of several of his students, leading them to revive the long-defunct "Dead Poets Society," and attempt to "suck the marrow out of life," just as Keating did when he attended Welton. With Robert Sean Leonard, Ethan Hawke, Josh Charles, Norman Lloyd, Kurtwood Smith, and Robin Williams as John Keating (a role that would net him an academy award nomination), under the guidance of director Peter Weir, and with the words of great poets and screenwriter Tom Schulman, this "unmakeable" film has become an unforgetable tribute to poetry, to love, to finding your bliss, and to the incredible acting talent that was Robin Williams!

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